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The guy you want to have a beer with in Lee Blessing’s “A Walk in the Woods” — or more appropriately, a vodka — is the Russian arms negotiator. His American counterpart is, well, kind of a pill. Blessing’s smart, funny and intermittently profound Cold War-era script sets things up that way. The contrast between the men rings especially true in Quotidian Theatre Company’s largely engaging take on the 1988 play. Read full article >>
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