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Because the Capital Fringe Festival can be so jammed with frivolity, the prospects of something serious can be especially appealing. This would explain why so many people would pack a cramped second-floor theater space William Faulkner might describe as "dim hot airless" to see "Dark House," Tarpley Long's adaptation of Faulkner's "Absalom, Absalom!" set in modern, gentrifying Washington.
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