Review: Teshigawara at Kennedy Center

It's with a sinking feeling that I read program notes about "conscience methodology" and "social-psychological restrictions." When there's also a strained, rambling poem on the page, written by the choreographer, I know I'm in for it. But with all that in hand, I still wasn't expecting quite the level of punishment that Saburo Teshigawara/KARAS dealt out in its evening-length piece "Mirror and Music," which the Japanese troupe performed Thursday at the Kennedy Center Eisenhower Theater.