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The Theory of Everything--the long-awaited biopic about physicist Stephen Hawking, opening this Friday--is admirable for the things that it does not do. There are no scenes in which glowing equations hover around Hawking's head. There are no swirling camera angles intended to convey a genius's convulsive thought process. There are no floating grids attempting to depict space and time, and not a single CGI black hole to be seen. Simply by negating those cliches, the movie is a revelation. But
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