Like a René Magritte painting come to life, Robert Dekkers' latest assault on the conventions of theatrical dance piles up one absurd image on another in precise, deliberate fashion, leading us rapidly from a vision of tranquil domesticity into hell and chaos, in concert with Anna Meredith's seductive electronic score - gamely executed by The Living Earth Show, a guitar and percussion duo who wore lampshades over their faces the entire time. Tassel recalls Dekkers' surreal and somewhat grisly r...
Like a René Magritte painting come to life, Robert Dekkers' latest assault on the conventions of theatrical dance piles up one absurd image on another in precise, deliberate fashion, leading us rapidly from a vision of tranquil domesticity into hell and chaos, in concert with Anna Meredith's seductive electronic score - gamely executed by The Living Earth Show, a guitar and percussion duo who wore lampshades over their faces the entire time. Tassel recalls Dekkers' surreal and somewhat grisly r...
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