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In Edgar Degas's most famous paintings set in a dance studio, three two-story windows spill light into an otherwise gray room where ballerinas in white tulle stretch and strike balances before a ballet master. There's often a violinist in a corner, or a worried stage mother preening on the sidelines. The French impressionist would continue to paint that scene for decades, even after that studio burned down and the Paris Opera relocated to the Palais Garnier. Like Degas, set designer Beowulf Bori...
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