NANCY GROSSMAN, For David Smith, 1965, Mixed media assemblage on canvas mounted on plywood, 85 x 85 x 6¾ inches Nancy Grossman's best known work is centered on the human head and face, but her transition to those leather masks of hers was marked by a period of equally intense, but far more abstract - and, in the context, even bolder - canvas-mounted assemblages, also predominantly leather and metal, and free-standing constructions. Although these aggressive objects bear many of the earmarks of ...
NANCY GROSSMAN, For David Smith, 1965, Mixed media assemblage on canvas mounted on plywood, 85 x 85 x 6¾ inches Nancy Grossman's best known work is centered on the human head and face, but her transition to those leather masks of hers was marked by a period of equally intense, but far more abstract - and, in the context, even bolder - canvas-mounted assemblages, also predominantly leather and metal, and free-standing constructions. Although these aggressive objects bear many of the earmarks of ...
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