"MAYDAY" #1 begins with a disillusioned, coke addicted, Hollywood screenwriter witnessing a cult-related murder at the high profile "Viper Room" on Sunset (famed location of River Phoenix's final moments). Like Pires last series "POP", "MAYDAY" is a critical dissection of bloated, fucked-out, culture machine that holds power through sedation, and is a structurally fragile as […]