In Spring 2001, I met director Scott Schwartz at the opening night party of Bat Boy. It was in the middle of a huge time for him -- months before he had made his Broadway directorial debut, co-directing Jane Eyre; tick... tick... BOOM! was coming up. In the next couple of years, he was a New York fixture. Then he went away, making only a handful of returns to the New York City stage in the next decade (most recently with the acclaimed two-hander Murder for Two). Now he's somewhat close to Broadw...
In Spring 2001, I met director Scott Schwartz at the opening night party of Bat Boy. It was in the middle of a huge time for him -- months before he had made his Broadway directorial debut, co-directing Jane Eyre; tick... tick... BOOM! was coming up. In the next couple of years, he was a New York fixture. Then he went away, making only a handful of returns to the New York City stage in the next decade (most recently with the acclaimed two-hander Murder for Two). Now he's somewhat close to Broadw...
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