In a MOMA retrospective, Picasso's sculpture is still full of surprises

In 1932, the Hungarian photographer Brassai photographed Picasso's studio for an extensive article in a high-end art magazine. One image featured the artist's sculpture arranged in the doorway of a former stable on the grounds of his chateau, Boisgeloup, north of Paris. The doors are flung open, but they reveal little of the interior. A few forms are seen just inside the arched portal, behind which is inky darkness.