Modernity, Jean-Michel Rabaté tells us, may be nothing but its own ghost. Mexico City and New York-based Miguel Angel Rios' work spans two centuries and responds and interrogates, as inflection and affliction, to the ghosts of the "pre- post-trans-anti-hyper-neo." As such, Rios has garnered the stature of one Latin America's leading conceptual artists and the exhibition "Landlocked" exposes an artist that deals with issues beyond territorial and global concerns at the intersection of video, lan...
Modernity, Jean-Michel Rabaté tells us, may be nothing but its own ghost. Mexico City and New York-based Miguel Angel Rios' work spans two centuries and responds and interrogates, as inflection and affliction, to the ghosts of the "pre- post-trans-anti-hyper-neo." As such, Rios has garnered the stature of one Latin America's leading conceptual artists and the exhibition "Landlocked" exposes an artist that deals with issues beyond territorial and global concerns at the intersection of video, lan...
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