Much of what we hear in a TV series -- from computer hacking ('Mr. Robot') to cars driving around Cuba ('Criminal Minds') -- is the work of meticulous sound editing and mixing crews whose subtle craft viewers aren't supposed to notice.
Much of what we hear in a TV series -- from computer hacking ('Mr. Robot') to cars driving around Cuba ('Criminal Minds') -- is the work of meticulous sound editing and mixing crews whose subtle craft viewers aren't supposed to notice.