Scanning colour negative is without a doubt the most irritating part of my workflow. Since I started to shoot film, it has been the source of great frustration, especially in terms of color rendition. Each color negative I scan shows a dreadful blue or green cast that’s a pain to get rid of in Lightroom. […]
Scanning colour negative is without a doubt the most irritating part of my workflow. Since I started to shoot film, it has been the source of great frustration, especially in terms of color rendition. Each color negative I scan shows a dreadful blue or green cast that’s a pain to get rid of in Lightroom. […]
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