Filmmaker Magazine -
13 Sep 2017 23:46

S. Craig Zahler’s Brawl in Cell Block 99 replicates the structure and mutations of his first film, Bone Tomahawk, a realistic Western that expands into a gorefest with inflections of Mad Max. Likewise, Brawl begins as a fairly low-key thriller (minus the part in which Vince Vaughn dismantles nearly half a car with his bare hands) that continuously ratchets up the bloodiness in uncreasingly unreal settings. Zahler’s definitely a gore enthusiast, which isn’t really my thing: it doesn’t par...
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