Filmmaker Magazine -
11 Oct 2017 21:47

At Cannes, Claire Denis’s Let the Sunshine In (subtitled Bright Sunshine In on the DCP) premiered to many nonplussed reactions. By some considerable measure her talkiest film, Sunshine tracks a painter, Isabelle (Juliette Binoche), as she slams straight from one romantic dalliance into another. That is, effectively, the entire plot: there are a few scenes that do not involve men, but in general the film marches inexorably and restlessly through a series of failed partnerships. The dance and se...
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