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Color Grading Film and Digital for Wonderstruck

Filmmaker Magazine - 26 Oct 2017 21:38
Color Grading Film and Digital for Wonderstruck Colorist Joe Gawler of Harbor Pictures has worked on a number of films and television shows over the years, including A Most Violent Year, Midnight in Paris and Arrival. For Wonderstruck, Gawler had to work with multiple film stocks. The story takes place in two time periods--the 1920s and the 1970s--and black & white and color film were used to convey the different time periods, while digital material was also shot for both periods. In this interview he talks about working with film and digital...
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