Filmmaker Magazine -
27 Jan 2018 19:00

As you made your film during the increasingly chaotic backdrop of the last year, how did you as a filmmaker control, ignore, give in to or, conversely, perhaps creatively exploit the wild and unpredictable? What roles did chaos and order play in your films? Seeing Allred is a film with two threads: one biographical and the second a vérité unfolding of contemporary events, including the Cosby story and the Trump election. The biographical story, although complex and fascinating, was well behave...
Share this Article