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Though the decision to make the Sony 16-35mm f2.8 G Master FE still sort of baffles me, but I can't deny that it's still a very good lens for professional photography. When I think about wide angle f2.8 full frame zoom lenses I think of both the 16-35mm and the 14-24mm. And for the life of me, I'm not exactly sure why Sony chose 16-35mm. Could it be because they're going after Canon? At this point, I'm not sure that they need to. A 14-24mm would have rounded out their options very well. Nonethel...
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