Back in 2015, I wrote an article for Filmmaker on the best practices for delivering an exhibition copy of your film to festivals. In the ensuing two and a half, almost three years, I've received a lot of positive feedback, including a few panicked emails from filmmakers submitting their films to a festivals I worked at. Now in 2018, my editors have asked me to update it. Why the update now? Allow me the use of a clumsy and imperfect technical reference to Moore's law that computing power doubles...
Back in 2015, I wrote an article for Filmmaker on the best practices for delivering an exhibition copy of your film to festivals. In the ensuing two and a half, almost three years, I've received a lot of positive feedback, including a few panicked emails from filmmakers submitting their films to a festivals I worked at. Now in 2018, my editors have asked me to update it. Why the update now? Allow me the use of a clumsy and imperfect technical reference to Moore's law that computing power doubles...
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