Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? There are tons of background details that my production designer, Page and I worked very hard to create for Run Sweetheart Run--most were created to be "feminist easter eggs" and are relatively hidden but some of the...
"We Had a Lot of Fun Creating Sexist Ads Until It Became Not So Fun": Shana Feste | Run Sweetheart Run
Filmmaker Magazine - 27 Jan 2020 17:00
Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? There are tons of background details that my production designer, Page and I worked very hard to create for Run Sweetheart Run--most were created to be "feminist easter eggs" and are relatively hidden but some of the...
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