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Mike De Leon made his Cannes debut in '82 when he premiered two films at Directors’ Fortnight in the same year--Kisapmata and Batch 81--becoming only the second filmmaker to do so at the time. Wim Wenders asked De Leon and certain filmmakers present at the festival that year to answer pre-written questions about the future of cinema in the span of a 16mm reel (around 11 minutes) for his documentary Room 666. Godard and Antonioni filled the time and could probably go on; the others, like Spielb...
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