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Set during London’s so-called “Three-Day Week” period — just over two months in 1974 when Conservatives in Britain rationed electricity as part of a dispute with the coal miners whose output supplied most of the country’s energy — Corinna Faith’s The Power is an impressively accomplished debut feature that yokes a classic ghost story to the dynamics of the contemporary #MeToo movement. Val is an apprentice nurse working her first night shift in an aging East London hospital. There ...
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