"I am not really necessarily interested in performance, per se, but in emotion," Ry suke Hamaguchi told Vadim Rizov back in 2019 when asked how meaningful the work of Jacques Rivette was to him. The answer went on to more or less say "not very," which is even more incredible now that his new three-hour Murakami adaptation, Drive My Car, has landed, so absorbed with the art and nuances of rehearsal and performance that the French New Waver will inevitably be the default assumed touchstone once ag...
Cannes Film Festival 2021 Critic's Notebook 3: Drive My Car, Bergman Island
Filmmaker Magazine - 13 Jul 2021 19:48
"I am not really necessarily interested in performance, per se, but in emotion," Ry suke Hamaguchi told Vadim Rizov back in 2019 when asked how meaningful the work of Jacques Rivette was to him. The answer went on to more or less say "not very," which is even more incredible now that his new three-hour Murakami adaptation, Drive My Car, has landed, so absorbed with the art and nuances of rehearsal and performance that the French New Waver will inevitably be the default assumed touchstone once ag...
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