Filmmaker Magazine -
19 Jul 2021 23:09

It might strike some as sacrilege when I say that the excitement I've felt around Ryusuke Hamaguchi's run of recent work reminds me of watching (and catching up with) the films of Arnaud Desplechin in the 2000s. Drive My Car, which had its world premiere in Competition at Cannes, follows the ecstasies and agonies and everything in-between of Happy Hour, Asako I & II (worth singling out for its breathtaking heights of romantic folly) and Wheel of Fortune and Fantasy, the mercurial triptych which ...
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