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When I saw The Lost Leonardo at the Tribeca Film Festival, I expected a documentary about art history, restoration techniques and how paintings are authenticated. I was vaguely aware of the film’s subject--the painting “Salvator Mundi,” a portrait of Jesus discovered in a New Orleans estate sale in April 2005 and later deemed a lost work by Leonardo da Vinci. What I was unaware of was the controversy over the painting’s authorship, its journey through the world of high finance and unfett...
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