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Nick Doyle continues his reflection on the underbelly of American consumerism with a new set of works at Perrotin gallery in Seoul. The Brooklyn-based artist uses classic American iconography, such as a vending machine, mailbox or an ashtray -- seemingly mundane scenes and objects -- to comment on the nation's troubled legacy tied to manifest destiny.In "Everything is Fine," Doyle surveys these items and the deeply rooted colonial histories tied to them. All of his sculptures are created using d...
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