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Just in time for the holidays, during which the question of what makes a Christmas movie appears across film social media feeds, arrives Camille Griffin’s Silent Night. From its title down to its Christmas setting, in which family and friends congregate for the kind of boozy reunion that segues from holiday cheer to emotional warfare, Griffin’s directorial debut sits squarely within the sub-genre and, due to one cross-genre addition, feels particularly of the moment. In Griffin’s film, the...
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