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A House Made of Splinters, the second film by director Simon Lereng Wilmont after The Distant Barking of Dogs, takes place in an orphanage in eastern Ukraine, not far from the front lines. The film focuses on the impact war has on the development of the children as well as on the system that has failed to help war orphans. Michael Aaglund, who served as the film’s editor, discusses how he develops a scene in the cutting room and why he aims for simplicity. Filmmaker: How and why did you wind u...
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