Filmmaker Magazine -
25 Jan 2022 19:26

Thrown from a second floor window, a box television clocks old Leonor (Sheila Francisco) square on the head. She wakes up inside her work-in-progress movie script, an homage to ’80s Pinoy action movies, able to steer the rest of the unwritten plot in first person. Back in reality, the retired movie director lies comatose in a hospital bed while her sons-one flesh and blood, the other a ghost-wander and wonder around, trying to option their mother's unfinished script to pay the bills. Will Leon...
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