While the use of larger format sensors like the Alexa LF and the Sony Venice has continued to accelerate--increasingly eclipsing Super35 as the default for robustly budgeted digital cinematography--the sprawling canvas offered by the Alexa 65 has remained more of a specialty, employed by projects seeking a scope of particularly monumental proportions. That's exactly how cinematographer Mandy Walker envisioned Baz Luhrmann's Elvis. "I remember Baz and I talking about the film really early on and ...
While the use of larger format sensors like the Alexa LF and the Sony Venice has continued to accelerate--increasingly eclipsing Super35 as the default for robustly budgeted digital cinematography--the sprawling canvas offered by the Alexa 65 has remained more of a specialty, employed by projects seeking a scope of particularly monumental proportions. That's exactly how cinematographer Mandy Walker envisioned Baz Luhrmann's Elvis. "I remember Baz and I talking about the film really early on and ...
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