Spoon got big by getting small. On 2001’s Girls Can Tell, the first in a streak of aughts classics that saw the Austin rock band gain exponentially more fans with each new release, “getting small” meant returning to an independent label after a famously ill-fated stint in the majors. As if doubling down, they quickly followed Girls Can Tell with an album that applied a less-is-more approach to the songs themselves. On Kill The Moonlight, released 20 years ago this Saturday, the sounds that...
Spoon got big by getting small. On 2001’s Girls Can Tell, the first in a streak of aughts classics that saw the Austin rock band gain exponentially more fans with each new release, “getting small” meant returning to an independent label after a famously ill-fated stint in the majors. As if doubling down, they quickly followed Girls Can Tell with an album that applied a less-is-more approach to the songs themselves. On Kill The Moonlight, released 20 years ago this Saturday, the sounds that...
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