What would happen if you took Sony's full-frame FX3 cinema camera and slapped an APS-C sensor inside? Well, you'd get a Sony FX30, an APS-C cinema camera that is essentially a Super35 version of Sony's FX3 camera system. At the heart of the FX30 is a 26MP APS-C backside-illuminated CMOS sensor, capable of capturing oversampled 4K (from 6K) at up to 60p and 4K/120p video with a 1.62x crop. Video can be captured in 10-bit 4:2:2 or 4:2:0 in either H.265 or H.264 AVC files or output as '16-bit' Raw ...
What would happen if you took Sony's full-frame FX3 cinema camera and slapped an APS-C sensor inside? Well, you'd get a Sony FX30, an APS-C cinema camera that is essentially a Super35 version of Sony's FX3 camera system. At the heart of the FX30 is a 26MP APS-C backside-illuminated CMOS sensor, capable of capturing oversampled 4K (from 6K) at up to 60p and 4K/120p video with a 1.62x crop. Video can be captured in 10-bit 4:2:2 or 4:2:0 in either H.265 or H.264 AVC files or output as '16-bit' Raw ...
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