Filmmaker Magazine -
25 Jan 2023 23:56

In the first scene of The Eternal Memory, Augusto Góngora’s loving wife Paulina Urrutia wakes him and fills him, and viewers, in on what’s going on: she’s an actress, they’ve been married for some time, he has Alzheimer’s. It’s easy to imagine that, for obvious reasons, they have this exchange a lot; for a certain kind of conscientious documentarian who wants expository information without staging it, Alzheimer’s might function as a sort of present, insofar as it provides an organ...
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