Ghebosu Florin Emil Channels the Romance of Cartier-Bresson

Over the years, I have used photography to socialize, personal rediscovery, and archiving moments of visual-plastic expression. Or at least that's what I thought at first. But along the way, I discovered how projects are formed over time and become more than a personal experience, a small historical archive of places and characters over which time passes mercilessly. I no longer feel this photographic game as personal, as well as a debt to the multicultural history of the places. In my portfolio...