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In Le Soleil n'existe pas at Stems Gallery's Brussels outpost, Leo Luccioni probes the existence of the sun and reality itself through a critique of consumer culture. His vivid paintings depict monarch butterflies drawn to bright, sugary packaging, highlighting the tension between nature and industrialized products. Luccioni's use of airbrush, a technique popularized by 1970s advertising, emphasizes the hyperrealism of these everyday items, blurring the line between art and commodity.Key pieces ...
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