Pleasure and politics collide in Kaur's work, which invites our curiosity again and again I wanted Jasleen Kaur to win as soon as I'd seen this year's prize show. Her work made me come back again, and simply to be there on her gigantic synthetic Axminster carpet. Kaur invites our curiosity. Pio Abad's work, mostly made during a residency at Oxford's Ashmolean Museum, is similarly rich with detail and stories, but felt illustrational, overdependent on the explanatory wall labels.
Pleasure and politics collide in Kaur's work, which invites our curiosity again and again I wanted Jasleen Kaur to win as soon as I'd seen this year's prize show. Her work made me come back again, and simply to be there on her gigantic synthetic Axminster carpet. Kaur invites our curiosity. Pio Abad's work, mostly made during a residency at Oxford's Ashmolean Museum, is similarly rich with detail and stories, but felt illustrational, overdependent on the explanatory wall labels.
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