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Toronto film festival: French director has made of one her least effective movies with this dull and clunkily adapted version of 1979 play with a miscast Matt Dillon at its centreAfter trips to space (2018s High Life) and Nicaragua (2022s Stars at Noon), the French director Claire Denis has returned to more familiar territory: post-colonial west Africa. Denis, who grew up in several Francophone African countries, has made several movies that inquire into the troubled heart of such places, and no...
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